Download dubstation 2

From Oct 8 to Dec 10, Novation’s Sound Collective members can download Audio Damage’s delay for free & get a 35% discount on anything else in-store. Modelling a vintage bucket brigade delay unit, Dubstation 2 centres on two independent delay lines, each with its own time setting and an optional ping-pong mode for complex, cross-fed stereo echoes. An LFO modulates the delay time, extending the plug-in’s remit into chorusing and classic analogue-style pitch modulation, and Reverse and Loop functions let you flip and perpetually cycle the delay buffer, respectively. The characteristic warm distortion for which BBD devices are known and loved is brought to bear by the Input Drive and Saturation knobs; and high- and low-cut filters are also onboard for broad-strokes frequency-shaping and live manipulation of the feedback circuit. A bona fide modern classic, Dubstation 2 is a powerhouse dual delay for production, sound design and live performance, with a rich, old-school sound and endless creative potential. During the same period, Sound Collective members can also take advantage of a 35% discount on any plug-in instrument or effect in the Audio Damage store, including the Continua and Quanta synths, Enso looper, Discord 4 pitchshifter, QuatroMod modulation effect and many more. Dubstation 2 Key Features:Accurate bucket brigade delay emulation Single mono or independent dual stereo delay lines with feedback circuit Up to 2000ms delay time, synced or unsynced Ping-Pong mode for cross-feedback effects LFO delay time modulation for chorus, pitching effects and more Input Drive and Saturation controls for distortion High Cut and Low Cut filters Reverse and Loop functions Stereo Width and dry/wet Mix controls More for you

Stereo vintage bucket-brigade-style delay effect for AUv3.The original dub delay effect, Dubstation has been a go-to effect in the production toolbox for over a decade and a half with good reason. Now available on iOS, this 1:1 code-identical port of the desktop version of Dubstation brings this classic effect to the mobile production studio. Easy to use and understand, Dubstation works just like a hardware delay pedal. True stereo operation and a nice saturated feedback path provide an instant-classic delay effect that has been used in thousands of commercial tracks. Features>> Tempo-synchronized or millisecond timing.>> True stereo dual time mode, single time mode, or ping-pong.>> EQ and saturation control on the feedback path, for tonal control.>> LFO to delay time, for chorus and tape effects. >> Tempo-synced stereo looping ("infinite mode") with sound-on-sound and reverse.>> Heavily optimized for extremely low CPU usage. Use as many as you want, even on an older device.>> Factory and user presets that can be copied to and from the desktop version. >> Audio samples and manual available at the Audio Damage website. What’s New 14 Sept 2018Version 2.0.6 1. All-new preset manager! The much-hated dropdown menu is gone, replaced with the same preset manager we have in our other iOS products. Preset naming and deleting, a shared preset folder between the AUv3 and standalone, and the factory presets now show up in your host's preset browser. 2. Stereo Width control! Narrow the width for full-metal monophonic dual delay action, or crank it open for the wide soundstage that all the audiophiles love. Several bug fixes, and the plugin has been rewritten entirely to maintain concurrency with the desktop versions; all versions of Dubstation 2 for every platform are now identical, and built from the same codebase. App Privacy The developer, Audio Damage, Inc., has

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That is somewhat difficult to work around (and what made Dubstation and Ronin, our original "real" delay products, so difficult). The net result of embracing this quirk rather than dealing with it is that the play head and the record head are decoupled. It takes a minute to get your head around it, but essentially, if you think of Enso's buffer as a tape loop with two decks (imagine a Frippertronics system) and then you picture the direction and speed of the recording deck is different than the one playing back, you quickly start to see the potential for both creative audio exploration and a somewhat nightmarish collection of weird problems. If you follow me on Instagram, you'll note that I've been using the iOS version of Enso (the iOS and desktop plugins are more or less identical) fairly regularly in my posts; I've also used it in live performance along with real tape loops. It has, during the course of development and testing, essentially become my main musical tool. We've always been somewhat reticent to dip our toe in to the looper community's waters, because the people that use loopers in their creative endeavors tend to hold fairly intense opinions. But with Enso, we're confident that we've made a tool that covers a broad swath of their needs, while also appealing to users that just want a looper plugin that can do that one thing they need to do, in the DAW they need to do it in. We've worked very hard on this product, and in the immortal and unavoidable words of Tim Cook, we liked it so much we made a video about it. - Chris Randall- Phoenix, Arizona - February, 2019